How does Superia accomplish this? When it comes to daylight film, you can probably think of a ton of the top of your head, but what about a daylight film that is also cost-effective and extremely versatile? I’m a big fan of Fujifilm and recently loaded a roll of Superia 400 in a “vintage” Yashica L AF that I was testing. This place was made for black-and-white. No… Everything seemed in order.

Their precision beats and the serious demeanor with which they drummed was mesmerizing, and the crowd’s attention was firmly fixed on the line of drummers instead of the fact that we were getting scored on. By using this site, you agree to our, Fujifilm Fujicolor C200 Film Stock Review, Film Stock Review: Kodak Portra 400 vs. Kodak Portra 800, Film Stock Review: Fuji Superia 800 vs. Kodak Portra 800, Super 8 Test Footage Using the Canon Canosound 514 XL-S, The Top 10 Color Negative 35mm Film Stocks, Top 10 Black & White Negative 35mm Film Stocks, Fujicolor Superia X-TRA 400 Film Stock Review, 18 of the Best Super 8 Transitions, Borders, & Textures for Videographers, Stream Nikon School Online Classes for Free this April, Create Stunning Instagram Designs Easily with FocoDesign, The 12 BEST Gifts to Buy for a Photographer, 10 eCommerce Marketing Strategies for Black Friday/Cyber Monday, How to Use User-Generated Content (UGC) on Social Media, 7 Best Colorful Lighting Equipment for Music Videos, Most Useful Social Media KPIs to Track Infographic, Everbloom Mobile Video Editing App Launches, 15+ FREE Black Friday Promotional Marketing Templates, Boris FX Optics Review | Filters Plugin for Photoshop and Lightroom, 5 Lighting Set-Up Ideas for a Music Video, Adobe Adds New Color Grading Tools to Lightroom Ecosystem. It does work pretty well flipped over though and used as DIY redscale! Superia did just that, and even on occasion I’d make a shot that would really knock my socks off.

Required fields are marked *. This allows you ease-of-development as most film labs and stores still use these methods! I have tried Kodak UltraMax 400 (and Max400, but I think it’s the same?) I just knew I’d never seen them in an image before, and they looked good. “Fuji Superia” the canister read, with the number 400 printed next to the name.

But don’t let its average appearance fool you; Superia is a fantastic film that pushes the boundaries of what a consumer-grade emulsion can do. Some even say that Ultramax is B-stock Portra but to my eye there are too many differences in color rendering. In addition to this, many users have even said that it’s capabilities go beyond being versatile at 200 ISO. Like I had mentioned in the introduction, Fujicolor C200 is a color negative 35mm film stock that is created for daylight use, but also works really well indoors with flash. Maybe an article about that one would make for good reading ? Before I left, I stuffed my bass into its case and slung it across my back, grabbed my camera from the desk, and started with a skip out of my room. Just shot 4 rolls of 400 recently, it’s my go-to all-purpose color negative film and I love it. Fujicolor c200 vs kodak colorplus 200 kodak ultramax 400 vs fuji superia xtra vsco 02 the missing guide nate how fuji c200 convinced me that cheap, Fujicolor C200 Vs Kodak Colorplus 200 Showdown You, Kodak Ultramax 400 Vs Fuji Superia Xtra Lomo Cn400, Vsco 02 The Missing Guide Nate Photographic, How Fuji C200 Convinced Me That Cheap Consumer Grade Still, How To Shoot Fuji Superia 400 Xtra Tutorial Nashville, Stock And Exposure Comparisons Kodak Portra Fuji, Fuji Superia X Tra 400 Stock Review Filtergrade, Fuji Superia 400 35mm 36 Exposures Parallax Photographic Coop, Fujicolor C200 Or Kodak Colorplus 200 I Can T Decide You, Digital Imaging Software Review Dxo Pack 3, Fuji Fujicolor 200 Color Negative 600018966 B H Photo, Fujicolor c200 vs kodak colorplus 200 showdown you kodak ultramax 400 vs fuji superia xtra lomo cn400 vsco 02 the missing guide nate photographic how fuji c200 convinced me that cheap consumer grade still, Your email address will not be published. If I do like it, it will mean to maintain my current shooting rate, I’ll have to either earn a lot more money or shoot a lot less film! But I like the look of it, and have just ordered a few more rolls to try it again. To find the answer to this question demands that we ask and answer other questions; what type of photography do you want to shoot, in what lighting conditions, and with what camera? As I made my way to the bus stop, I passed constant reminders of the neighborhood’s quiet squalor in the shape of abandoned shopping carts, dead or dying cars from decades past, and a breeze that carried with it the faint smells of gasoline and beer. As we increase the exposure times we see a shift that pushes dark tones closer to the highlights, tightening the curve, rendering skin brighter and making contrast from facial shadows less visible. Plenty of overexposure does wonders for this film, perhaps try shooting it at 320 or 200 and see what happens? many users have even said that it’s capabilities go beyond being versatile at 200 ISO. To help people choose the film that’s right for them, we publish our Film Profile series. Late in the night, on that day in which I nearly forgot to carry a roll of film, I found myself playing electric bass in the marching band at our high school’s football game. The Minolta XK and Voigtlander 15mm reviews that are coming in the next few days will feature Portra shots extensively. Not much of a destination, but at least it was better than where I came from. It’s a film willing to be casually shot as well as professionally scrutinized, and it’s the perfect emulsion for transforming new shooters into full-on photo geeks. When under-exposed the film tends to turn shadows and lowlights green. The gorgeous tones and stunning saturation are traits we most often find in pricier, “professional” film, and it’s even more stunning when we consider the low cost of Superia.

And Superia 100 is absolutely glorious film, and in my experience a different class to Superia 400. Homework assignments? Designed as an easy-to-use film stock for all photographers shooting in daylight or indoors with flash, this film stock is the perfect way to break into film photography to learn more about daylight film while not breaking the bank! The floodlights of the stadium served to illuminate them perfectly. Like I had mentioned in the introduction, Fujicolor C200 is a color negative 35mm film stock that is created for daylight use, but also works really well indoors with flash. In this article, Josh makes the case for a fantastic film from Fujifilm- Superia 400, and shows how this film propelled him through the early days of his photographic journey. Great article! (CasualPhotophile)” However, I disagree –  I think this film is really well-made and captures daylight better than Kodak Gold 200 or Portra 160. I looked around the room for assurance. I had the camera, just not the film. Hope you find a 400 speed film that works for you! I use Kodak Portra films and Fuji Pro 400H.

Realistically, there weren’t many options available to a ninth grader on a tight budget. Some photographers have said that, “There’s nothing special about C200…It’s an entirely nondescript, unglamorous film that simply does the job it’s required to do – render images on film. Then there’s Superia’s 400 film speed, a jack-of-all-trades speed which works for general purpose photography, and a speed that’s particularly well suited to available-light and golden hour photography. I arrived at the bus stop at the exact moment the bus arrived, and took up my usual resting spot at the window.

My gaze drifted back out the window to the silhouettes of strip malls, foreclosed homes, and the occasional squad car slipping past.

I shot it on my Nikon F5/50MM 1.8E.

By purchasing anything using these links, Casual Photophile may receive a small commission at no additional charge to you. The colors were vibrant and punchy, but not overbearing, and those little dots, the texture… I knew they weren’t pixels, but what were they? In my experience, over-exposure latitude reaches even further; three, or even four stops over-exposed and we’re still making beautiful images. Even in these early days I knew I liked the film, and though I knew not why at this early stage of my photo geekery, it helped me make nicer pictures than the other types I’d used. It was all expired as well but I didn’t care. Fujicolor C200 should be one of the top film stocks that comes to mind. The whole point of film is to just experiment and have fun. It’s really expensive compared the film I usually buy and 2. I’m just starting to get into film myself. Many thanks for your support.]. Photographers that use C200 a lot have said that for their preference, shooting C200 at box speed seemed dull and lacked color, but pushing the film speed to 400 or 800 helped create more contrast and deeper, more vivid colors.

It’s this capability and versatility that makes Superia easy to recommend as a first film. Some of this was in part due to the excellent optics in the humble Yashica – (32mm f3.5 lens) that’s pretty darn close to the Zeiss T3 lens (for hundreds less too).

Look forward to seeing your Portra shots. The jolt of panic was enough to spring me upright in my bed. I’m returning to film photography after a long time shooting only digital and just shot a role of Superia through the X-700 (which was also my first camera back in high school) my wife got me for Father’s Day. Superia employs what Fuji calls “Super-Fine Sigma” grain to improve the film’s grain structure. Why Fujifilm Superia 400 Should be Every Shooters First Film ... Superia 200, and even more so the supposedly budget FujiColor C200 have given me far better, and far more consistent results than Superia 400. I couldn’t afford anything else.

I’ll try a couple of rolls and see how it goes. I’d memorialized that moment on analog film, rather than simply running an iPhone photo through a filter app. Or shoot box speed- Superia’s so forgiving that all of this technical fiddling may be moot.

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